While most critics have focused on the Nazi connection, one of my favorite chapters in the new biography ‘The Man in the Glass House: Philip Johnson, Architect of the Modern Century’ by Mark Lamster (published by Little, Brown, and Company) tells the story of the seminal exhibition ‘Modern Architecture: International Exhibit of 1932, which Johnson curated at MoMA at 25.
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The Man in the Glass House
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While most critics have focused on the Nazi connection, one of my favorite chapters in the new biography ‘The Man in the Glass House: Philip Johnson, Architect of the Modern Century’ by Mark Lamster (published by Little, Brown, and Company) tells the story of the seminal exhibition ‘Modern Architecture: International Exhibit of 1932, which Johnson curated at MoMA at 25.