As I am currently writing a magazine article on Japanese contemporary design, it has occurred to me that while we have all been aware of the Japanese aesthetics in crafts – simplicity, vernacular, imperfection, irregularity — we should recognize its father.
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Soetsu Yanagi (1899-1961)
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As I am currently writing a magazine article on Japanese contemporary design, it has occurred to me that while we have all been aware of the Japanese aesthetics in crafts – simplicity, vernacular, imperfection, irregularity — we should recognize its father.