As I am currently writing a magazine article on Japanese contemporary design, it has occurred to me that while we have all been aware of the Japanese aesthetics in crafts – simplicity, vernacular, imperfection, irregularity — we should recognize its father.
Soetsu Yanagi (1899-1961)
As I am currently writing a magazine article on Japanese contemporary design, it has occurred to me that while we have all been aware of the Japanese aesthetics in crafts – simplicity, vernacular, imperfection, irregularity — we should recognize its father.