If you have never heard of Robert Pfannebecker, it is because the subject of his collection—studio objects in clay, fiber, glass, and metal—has been marginalized and excluded from the art market and museum collections for decades.
Pfannebecker: A Story of a Collector
If you have never heard of Robert Pfannebecker, it is because the subject of his collection—studio objects in clay, fiber, glass, and metal—has been marginalized and excluded from the art market and museum collections for decades.